女神来了

　　只因那几世前的救命因缘，便上演了这感天动地的白蛇传。家住江南的平凡书生许仙（赵雷 饰）偶遇美若天仙的白娘子白素贞（林黛 饰）和丫鬟青青（杜娟 饰）。那娘子顾盼生辉，眉目传情，纵使木讷如许仙者也怎能不心有所动？岂料白素贞是修炼千年的白蛇所变，当年因被许仙前世救下，故而今天化作人形前来报恩。几经周折，许仙与白娘子配为夫妇。妇唱夫随，自由快活。却不知人间自有人间的规矩，乱他不得。更何况人鬼殊途，妖怪精灵何能在人类市井安享太平？白娘子和许仙的爱情必将遭受最无情的摧残与打击……
　　本片根据经典民间传说改编。

　　Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

　　ISIS的野蛮入侵让曾经平静的叙利亚乡村成了人间地狱，30岁的阿里安在这里率领她的娘子军与恐怖分子对抗。经过艰苦卓绝的战斗，她们解放了小城Kobane，阿里安付出了代价——她身中5发子弹，好在没有性命之虞，回家休养伤愈后又立刻重返战场。
　　这部纪录片记录了阿里安和战友们的战斗实景和前线生活状态，借此反映战争中女性的处境，以及她们强烈的自由意志。影片具有强烈的人道主义色彩和女性立场，镜头语言朴实有力，画面中的女战士们无比真实、鲜活，她们与残酷、激烈的战场氛围形成了强烈对比。