虎穴枭雄

简介：你的青春里有没有一个忘不掉的人？阳光明媚的高中生王晓夏（李沐 饰）在一次偶然中对天才转校生程奕（曹佑宁 饰）一见钟情，无法克制的心跳，让晓夏开启高调追爱模式。而从小一起长大默默守护着她的柚子（娄峻硕 饰）也决定为自己争取一次。一边是天降男神，一边是竹马守护，十七岁的少年都怀揣着最炙热的爱意，晓夏又该如何抉择？

简介：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

简介：1939年，持续三年的西班牙内战接近尾声，右翼法西斯分子风头正劲。左派战争孤儿卡洛斯（费尔南多·缇艾弗 Fernando Tielve 饰），被父亲的战友们送到一个位于荒郊野外的孤儿院。这个孤儿院由严厉的卡门女士（玛丽莎·佩雷德斯 Marisa Paredes 饰）和和蔼的卡萨瑞斯教授（Federico Luppi 饰）共同经营。卡洛斯离开亲人和叔叔们的失落情绪并未持续太久，他很快就融入了这个满是同龄人的大家庭。不过，这个院子中央插着炮弹的地方，也许原本就存在着些许异常。卡洛斯所睡的12号床之前属于一个名叫山迪的孩子，山迪在不久前离奇死去。自从卡洛斯来之后，那个小男孩的鬼魂便不断出现……　　本片荣获2002年阿姆斯特丹奇幻电影节评委会银奖；2002年法国Gérardmer电影节国际影评人奖、评委会特别奖和青年评委会奖；2002年青年艺术家奖最佳演员奖（Fernando Tielve）。

简介：

　　心性孤傲的叶梅桂（林心如 饰）无意间邂逅独自来台北打拼的工程师柯志宏（钟汉良 饰），本来柯借住在好友蓝和彦（马天宇 饰）家，但与叶擦肩而过的一刹那，令他鬼使神差地搬进了叶梅桂出租的748号。蓝和彦料定柯志宏走火入魔，劝他三思而后行，但柯志宏分明从叶梅桂眼神中读出了灵魂深处的东西。白天，柯志宏与蓝和彦一头钻进缜密繁缛的工作中，收工回到748号，他享受得是另一种与叶梅桂在一起的只可意会不可言传的温暖与刺激，时常令他想起大学时代学姐跳《夜玫瑰》时那醉人曼妙的舞姿......

简介：

　　这是20世纪90年代初多兰格家族继续传奇的故事。巴特·谢菲尔德在与已故祖母科琳·福克斯沃思相遇后，在十几岁时接受了精神病治疗，成为科林遗产的唯一继承人。他重建了福克斯沃斯庄园，并合法地将姓氏从谢菲尔德改为福克斯沃斯。遗产由巴特的父亲克里斯托弗·谢菲尔德合法管理，直到巴特按照科林遗嘱的规定年满25岁。巴特召集他的整个家庭来庆祝他的二十五岁生日，此时科琳的意愿中一个额外的条款将按照她的指示阅读。这个家庭包括：他的父母克里斯和凯西谢菲尔德，其婚姻关系巴特知道;他的哥哥和他的妻子乔里和梅洛迪·马奎特，他们都是著名的芭蕾舞演员;和他收养的十几岁的妹妹辛迪·谢菲尔德，她公开探索她的性生活。巴特自从他接受精神病治疗后，把家人赶走了，尤其是克里斯，他不是他的亲生父母，他一生中不再想要，而辛迪则从未视之为他的妹妹，因此也是这个家庭的成员。生日那天的一件事导致全家人需要在福克斯沃斯庄园呆得更久。巴特已经变得宗教狂热，很像他的曾祖父母，马尔科姆和奥利维亚福克斯沃斯，他暗中崇拜。马尔科姆的精神通过巴特生活，他试图支配与他的家人发生什么，因为他有一个扭曲的看法，基于他的父母的关系，当他调和自己的动物的冲动反对他/马尔科姆的宗教信仰。

简介：

　　刚刚迎来毕业典礼的帝都大学学生筱宫优（多部未华子 饰）意外收到一个奇怪包裹，包裹表面写着“诈欺游戏（Liar Game）”，里面竟然有一封邀请函和1亿日元现金。她被神秘的LGT事务所胁迫参加重新复活的诈欺游戏，胜利的话将获得20亿日元的奖金，拒绝参加将背负巨额的债务。惊慌失措的筱宫顺着冷峻的观察员（芦田爱菜 饰）留下的线索，找到了在帝都大学心理学任教的秋山深一（松田翔太 饰）。显而易见，LGT这番用意是在逼迫秋山参赛，向其复仇。明知前途凶险，秋山坦然应战。此次游戏包括他在内总共有20人参加，看似简单的抢椅子游戏，实则充满陷阱，危机四伏。天才诈欺师秋山面临史无前例的挑战……
　　本片根据甲斐谷忍的同名漫画改编。

简介：阿尔玛独自居住在一栋宽敞的联排别墅里，米娜则是一位来自另外一座城市廉租房的单亲妈妈。这两位女性的生活都围绕着探监而展开。她们的伴侣分别因不同原因被关押在同一所监狱。一次在探监室外的休息区，阿尔玛和米娜偶然相遇，一段意想不到的友谊就此开始……

简介：Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

简介：

　　据《每日邮报》报道，一部名为《传控》(Take the ball, Pass the ball)的巴萨纪录片将在下个月发行，它主要讲述了巴萨在瓜迪奥拉执教下站上欧洲之巅的历程。
　　随着瓜迪奥拉率领曼城夺取英超后纪录片《孤注一掷》(All or Nothing)的成功发行，巴萨也将制作大型纪录片来回顾这位昔日的伟大教练。据报道，纪录片的焦点将放在瓜迪奥拉在巴萨执教的四个赛季，在那段时间，巴萨神奇地赢得了14座奖杯。
　　纪录片还会阐述瓜迪奥拉是如何通过tiki-taka战术来重新定义现代足球的，他也以此将巴萨打造成了欧洲有史以来最好的球队。此外，这部纪录片还会讲述梅西的巨星之路、瓜迪奥拉和穆里尼奥的争锋、以及阿比达尔抗癌的故事。
　　当然，纪录片中还会包含对梅西、亨利和埃托奥这些球星的独家采访。

简介：

《航海王：狂热行动》是“航海王系列”第14部剧场版，也是《航海王》动画二十周年纪念之作。                                                                    以超新星为代表的众多航海家纷纷现身世界最大的航海家庆典——航海世博会。草帽航海团也收到了主办者费斯塔的邀请函，搭乘万里阳光号前往。原以为航海家们的狂热世博会只是为争夺“航海王罗杰留下的宝藏”，就在神秘宝藏争夺战如火如荼之际，阻挡在路飞等人面前的可怕威胁道格拉斯·巴雷特突然现

简介：

一个亲密的庆祝乔治·迈克尔和安德鲁·里奇利持久的友谊，从童年到他们一起度过的岁月，作为英国最大的乐队之一。

迈克尔和里奇利是在沃特福德镇附近的布什学校认识的。他们首先组建了斯卡乐队the Executive，然后以威猛乐队的身份发行了他们的第一首单曲。威猛说唱!1982年6月。成功并没有立即到来，但当它终于到来时，这对组合的成功浪潮一直持续到1986年6月在温布利体育场举行的告别演唱会《the Final》。克里斯·史密斯的这部极具娱乐性的电影提供了对乐队档案的全面和前所未有的访问，包括未见过的镜头和对二人组的采访。其结果是对一段持久友谊的细致描绘，以及一段欢乐的音乐游记。

简介：1889年，希特勒出生于奥地利布劳瑙镇一个公务员家庭。青年时期处于第一次世界大战的阿道夫·希特勒，在动荡不安的乱世中，他的出现与崛起是希望的开端、还是灾难的开始？这个看似平凡的小男孩，长大后却指挥了德国军队大规模入侵各国，掀起了惨烈的第二次世界大战。