古惑仔之火拼街头

简介：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

简介：敘述戰國時代，齊國的田單運用戰略戰勝燕國，收復山河的史實。　　燕國地處東北，在燕王噲時，國都曾被齊國攻下，到了時，強憤圖強，禮聘賢才，並以樂毅為將軍，使燕國軍事力量強大起來。後來燕國聯合各國攻打齊國，幾乎快滅了齊國，幸而齊國田單用反間計使燕王撤換樂毅將軍，再出奇不意的以火牛陣攻敵，才一舉驅逐燕軍，收復國土，是為田單復國。　　五十六年金馬獎★優良影片最佳發揚民族精神特別獎　　第十四屆亞太影展最佳美術設計獎

简介：

2023年，期待已久的电影《东京复仇队》续集将上映。以“血之万圣节篇”为题材的两部作品，前篇《东京复仇队2血之万圣节篇-命运-》于黄金周上映，后篇《东京复仇队2血之万圣节篇》-决战-》将在夏天披露。

简介：

　　19年前的雨中混战，至今在一些人心中仍留下挥之不去的印象。大越组若头久松茂的儿子勇人（东出昌大 饰）与母亲相依为命，母亲对丈夫死后的不公待遇一直耿耿于怀。大越大辅（桐谷健太 饰）一心振兴父亲的组织，于是去给上级组织五诚会的三代目式根诚司（安藤政信 饰）担当保镖，寻找机会。拥有神秘身份的菊池麻美（土屋安娜 饰）偶像梦破灭，她不甘沦为式根的玩物，渴望找回自我。自称记者的青年森泽庆一（柄本佑 饰）苦苦追查19年前事件的真相，而他的一些调查结果导致勇人母亲的悲剧。此外还有在事件中活下来并成为植物人的冰头（根津甚八 饰）。新一代的五人帮，投入了充满鲜血的宿命轮回之中……
　　本片是石井隆的经典作品《血光光五人帮》的正统续集，荣获2015年电影旬报十佳影片第六位。

简介：女神诺兰在生日当晚目睹了班上另类学霸发生恐怖变异，并惨遭攻击，由于没有人相信她的话，变异病毒很快在校园内飞速扩散甚至威胁到整座城市，暗恋她的姚飞更是遭到诺兰的怀疑。究竟谁才是威胁校园安全的变种人母体？姚飞又能否在千钧一发之际拯救整座城市的安全？

简介：特工阿文隶属于EO特工组织，奉组织之命潜伏于东南亚B国颇有威望的军火商黎叔麾下，寻找其手中的一批云爆弹将其销毁。当他找到军火等待搭档阿琼的接应之际，却遭B国军阀钦盛军队截杀，为拯救苦难的百姓，阿文阿琼两人决定夺回军火，一场关乎战争与和平的救赎之战即将开始。

简介：Bouzid’s sophomore film details the sexual awakening of Ahmed, a young French man of Algerian origins. His encounters with Farah, recently arrived from Tunis, paired with Arab erotic literature, forces him to reexamine his understanding of himself.

简介：设定在旧金山的变装皇后世界，讲述保守的德克萨斯州教堂唱诗班的主管继承了她最近去世儿子的旧金山变装俱乐部，她从心而行，从德克萨斯搬到旧金山，拯救俱乐部于破产之中，让思想保守的丈夫和身边的亲近都大吃一惊。在这个喧闹的、充满活力的新环境中，她开始为自己的生活寻找新的意义，在表演者们心中树立了母亲形象，而一次意外的来访打破了她的平静生活。

简介：尼克·班尼斯特（休·杰克曼 饰）是一名私家侦探。他的工作主要是帮助客户重拾遗忘的记忆，沉湎于幽暗诱人的逝去时光。尼克生活在因海平面上升而已经半淹没的迈阿密，然而当他接手了新客户梅（丽贝卡·弗格森 饰）之后，他的生活永远改变了。一次简单的寻回失物之任务，演变成一出危机重重的惊天迷局。尼克努力寻找着梅的失踪真相，而与整座城市存亡息息相关的巨型阴谋也逐渐浮现。他必须争分夺秒，破解回忆迷局，但他真的能在阴谋将自己吞噬前，找到梅失踪的真相吗？同时尼克也必须直面一个终极难题：为了留住你最爱的人，你到底愿意付出什么？

简介：电影《天眼风云》讲述了1950年上海防空作战中解放军第一个雷达站的故事。解放上海的英雄连连长周长生，一群意气风发的大学生，一队骁勇善战的苏联空军英雄，在充斥着挑战危机和使命担当的战斗中经历着萌发的友情、爱情…，奉献着青春、生命…影片真实展现了新中国第一代雷达兵科技报国的赤胆忠心，还原了知识青年科技报国的使命追求。寄托了几代雷达兵的革命情怀，是一部真正意义上的雷达兵题材的 “军事故事片”。

简介：电影以一个真实的故事为蓝本，讲述一个原本幸福富裕的家庭，因为飞来横祸爸爸突然离家，家庭一时陷入困境，留下妈妈和孩子支撑家庭，但一次意外妈妈又病重入院，困顿的现实压在了家庭中唯一的孩子，电影小主角年仅10岁的小茜身上。她用自己的力量去背负起整个家庭的责任的感人故事。

简介：Tania is an actress, 43. Thore is 15, a misfit in a small village at the northern tip of Germany. At the beginning of winter, Tania escapes from her numb life to the village. They meet. She decides to steal him from his parents.　　The actress Tania travels from Munich to a village in the north of Germany. The skies are grey, just like the sea and the wintery plains. Her feelings are also covered in a grey veil of mist. Her painful past makes it impossible for this forty-something to feel anything at all.　　The arrival of the stranger is immediately noticed in the tight-lipped community, but she is hardly welcome. Only the teenager Thore, whose imagination is too much for this no-man’s-land, has contact with her. A fragile band develops between them - attraction, rejection and occasionally sexually charged. Thore reveals a need in Tania, one she didn’t know she had. She decides to ‘steal’ Thore to come to terms with her own loss.　　Rough is a directing debut filmed with great poise and with a sharp eye for this beautiful yet slightly depressing landscape and the people who inhabit it. The camera first functions as a detached observer, then as an accomplice, always very close to Tania.