那一个转身

　　Four 22 year-olds on a Mexican road trip seem bound for disaster until they, and their trip, are unexpectedly redeemed by a series of miraculous events.

　　Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

　　Last days of 1941 summer, the era of Obligation, during the famine atmosphere of the Second World War. In the middle of all this poverty and turmoil, there are two poets in their early twenties: Muzaffer Tayyip Uslu and Rustu Onur. They have been carrying tuberculosis germs in their lungs and love of poetry in their hearts for years. Two poets who have the constant habit of making bets on things that they do not own, make a bet on a beautiful girl. They will both write a poem for her and whichever Suzan likes, the other will fade from the scene..

倒霉女盘兮玉考进了贵族学校，却身无分文沦落街头。在人生中最窘迫的时刻竟遇上了一位冷峻邪傲的霸道总裁颜雨，而对方更是要求自己与他同居！最令人意外的是，他竟然还是自己正要投奔的表哥！不过这个强势的表哥似乎藏着什么秘密，不止不许自己与别的男生交往，甚至成了学校校董来监视自己，还有若隐若现的九条狐狸尾巴…

　　朱丽亚是一个年轻的赛车手，父亲突然离世让她的生活面临崩溃，唯一的希望是她的哥哥——一个瘾君子和前赛车冠军。她需要哥哥帮助她训练，成为顶尖选手，真正像家人一样互相扶持，赢得“意大利比赛”和属于自己的未来。