428
2.0

秘恋惊魂

导演:
彼得·沙利文
主演:
布兰达·宋,迈克·沃格尔,丹尼斯·海斯伯特,艾什丽·斯科特,保罗·斯隆,丹尼尔·博克,斯科特·皮特,迈克尔·帕特里克·麦克吉尔,吉姆·汉纳,席亚拉·卡特,埃里克·艾特巴里,阿兰·皮特鲁塞泽维斯基,布莱尔·辛克,Casey Leach
别名:
未知
2.0
428人评分
英语
语言
2019-07-18
上映时间
未知
片长
简介:
故事讲述珍妮佛努力走出创伤的同时,却发现自己回到了一个完全陌生且危机四伏的世界。
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  Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
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简介:Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series. ~ Mark Deming, All Movie Guide  The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport  both in their professional and daily lives  between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.  The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial. -Steve Grayson  my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty. - Jonathan Rosenbaum
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