波兰舞者

　　某夜，女兵紧急集合，奉命缉捕挟械逃亡的班兵，经同心协力围捕而最终完成任务。原来这是一项测验。后来女兵派至海边接受战技训练，海防男班兵奉命支援，结果又惹出许多趣事，而且男兵们被整得叫苦连天。经磨练后，女兵们个个身手不凡，成为神勇的女娇娃，令人刮目相看。此时，不法集团首领强哥自狱中脱逃，并引发江湖恩怨之仇杀，强哥为了逃避缉捕，竟挟持阿秀当人质，率手下逃往山区藏匿。为了除暴安良男女兵立即采取行动。女娇娃们智勇双全，发挥高度的野战技巧，以及冒险的精神，终于制服了强哥这伙歹徒，救出人质，英勇地凯旋归来

　　Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

　　二流棒球运动员蒙弟，当他最穷困潦倒时，舅父的三亿美元遗产从天而降，只要他在一个月内先将三千万美元花掉就可继承，于是种种五花八门的花钱方法陆续粉墨登场。本片的故事犹如一个现代童话，对现代人的金钱观念进行了嘲讽，其中最有意思的一段，是蒙弟一掷千金参加纽约州长竟选，但竟选标语却是“谁也不要选"，对金钱贿赂选举的丑恶现象讽刺鞭挞得淋漓尽致。

像每年夏天一样，小莎乐美都会回到她坐落在葡萄牙山区的家乡度假。当假期在无忧无虑的气氛中开始时，她深爱的祖母却突然去世了。当大人们在葬礼上感到难过时，莎乐美却被那个被认为是女巫的人的灵魂所困扰。