Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
不论扑杀它们多少次,外星怪物总是能卷土重来。航天飞机又发现一窝怪异的蛋,这次,它们不仅要吃掉它们看到的所有人、所有东西,它们还要进一步,侵略你的空间。
本片讲述了一个与世隔绝的奇怪家庭。家庭成员由一对父母和大儿子、两个女儿组成,一家五口终日生活在一座隐秘的大宅子里。三个孩子自小被父亲隔离于此,他们不能接触除父母外的人,对高墙之外的世界几乎一无所知。父亲上班后,他们就与母亲在屋子里学习、玩耍。他们所有的知识都由父母教导,父亲告诉他们,外面的世界极其危险,而孩子们如果想要出去,必须等到“狗牙”脱落。 父亲是唯一可以驾车到外面去的人,他有一份正常的工作,会为孩子们带回生活必需品以及奖赏,他有时也会带回公司里一个女员工——克里斯蒂安,她是受雇来满足大儿子的性需求的。而她的几次到来,正在悄悄地改变这个家庭……