人生束缚

简介：

　　Luffy是镇上的捕头，Usopp是他的搭档。Nami和Sanji经营着“风车”餐厅。ZORO是一个和尚，而乔巴是镇医生。和许多其他在TV中出场过的熟悉人物。

简介：

　　影片描写了中学生的学习和生活﹐美枝刚到一所女子学校寄读﹐就遭到以芊蒂为首的富家女生的戏弄﹐看到他们经常欺负同学﹐一次舞会中﹐遂与阿蕊等人连手对付并令她们丑态面出﹐学校举行竞技大赛﹐美技等人参加﹐却体育教师拒绝﹐此时刘老师毅然担任她们的体能训练老师。众人设圈套﹐令美枝误会离开男友﹐经过激烈的角逐﹐美枝夺得了第一名。

简介：

　　1966年夏天，迎接暑假到来的三姊弟，一如往常地嬉戏玩乐，与家人讨论暑假的旅游计划。看似和乐的家庭，直到母亲意外得知父亲不可告人的秘密后，逐渐崩解。这回透过小孩们的无奈答话，充分展现二战之后逐渐弥漫的保守氛围，并讥讽当时社会的道德假面。

简介：当著名作家维克托·阿德尔曼逝世时，一位记者联系上了他的妻子莎拉，希望能抢先报道这位伟大作家的一生。随着记忆的帘幕被缓缓拉开，维克托和莎拉这场近半个世纪的爱恋过程终于呈现在世人眼前。然而在甜蜜生活的背后，这对世人眼中的模范夫妻究竟埋藏着多少不为人知的秘密？丈夫背后的神秘女子又究竟是谁？ 当浪漫的爱情遭遇不忠的背叛，当真爱背后是熊熊燃烧的野心，他们究竟该如何解决婚姻的种种危机？

简介：

　　Stand-up performance of comedian Ken Jeong recorded live at Pasadena, California.

简介：

　　一个神秘的陌生人来到新墨西哥小镇。他总是骑摩托车，而他身上所有的东西都是圣经，因为他是一个狂热的公义追求者。当他来到这个陌生的地方，发现里诺家族掌管着这里的一切，人们都很害怕里诺。但是他不惧怕这里的邪恶势力，坚决要寻求正义，到底他单人匹马能不能解救镇上的人们呢......

简介：离开部队之后，以利亚凯恩再次回到他的特种部队。由Marcus米切尔招募回美国中央情报局。凯恩的技能是远程狙击，马库斯的承诺，中情局将信息提供给凯恩并为之组建他的小团队。凯恩得到一系列高难度错杀任务，中央情报局的一般特工不能完成。马库斯承诺配合凯恩，引导目标他进入狙杀范围。并将目标的身份透露给凯恩团队。凯恩与其它两个受过训练的新兵组成行动小组，完成任务。最终驱动凯恩的不只是生意，也有个人的原因。

简介：

　　两个白痴猎人误杀了一名白巫师，并将其设置的魔法结界破坏，地狱恶魔温迪戈因此得到了解放，接着它将死人复活，率领着它们开始在森林里大肆杀戮，一名女子也因离奇的坠机事件而卷入了这场灾难中。随着时间的推移，猎人们发觉这个女子是扭转败局的关键人物，他们能在活死人的包围中求得生机吗……

简介：

　　左篇：黑衣人
　　在咖啡店打工的大学生山本京香（小出早织 饰）某天收到一封神秘来信，信中附有一张她小学三年级时和同学幸子在山顶的合影。京香对当时的情景毫无印象，而在照片背面则发现“救命”二字。心存疑惑的她返回家乡，却得知幸子于10年前便已失踪。为何京香不记得当年的事情？回忆中不断 闪回出现的黑衣男子又是谁？

简介：哈利波特是一个孤儿，从小寄养在姨妈家，受尽欺凌。但就在哈利11岁生日的时候，他意外收到了霍格沃茨学院的入学通知书。哈利从该学院派来接他的巨人海格口中得知，这是一间魔法学院，并得知了自己的身世，原来哈利的父母都是伟大的魔法师，在对付伏地魔的战斗中双双献身，唯有哈利幸免于难。　　哈利进入霍格沃茨后，表现出了超乎想象的飞行天赋，得到麦格教授的推荐进入了格兰芬多的魁地奇球队。另一方面，哈利发现霍格沃茨学院内有一股黑暗势力似乎在暗暗滋长，揭开谜团的关键就在有凶恶的三头犬守护的房间内。　　哈利、罗恩和赫敏三个好朋友决定探个究竟。

简介：含怨而死的人在死前会立下诅咒，在其生前的居所积聚冲天怨气，凡触碰者必死，并产生新咒怨，将恐怖的死亡气息不断蔓延，而咒怨就永远死守凶宅，诅咒每一个来客。女大学生许倩（杨雅荔 饰）带着好奇心，走进了这样一座充满怨气的山庄，在这里性格古怪的老太太身后仿佛藏着不可告人的秘密，老太太的来历也显得扑朔迷离，这里充满了孤魂魅影，充斥着电闪雷鸣，萦绕在她身侧的，究竟是不散的阴魂，还是不死的咒怨……当一切真相大白，许倩又该何去何从？

简介：Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.