硬闯百分百危险

　　城市的一隅。一家银行外的提款机前，一中年胖男人正熟练地操作着自动提款机。在他不远处的路边停着一辆破旧的红色夏利。车内坐着两个游走在城市边缘总想靠歪门邪道捞取不义之财的无业人员熊棋和潘安。他们专注地盯着提款机前的中年男人，伺机下手。城市的另一处，在一幢高级写字楼里，一家大公司的总经理室，中年经理坐在大班桌前，在他对面，坐着衣冠楚楚的某新成立的广告公司的经理段誉。展正在口若悬河宣传自己公司的业务，希望能与该公司合作。却被对方无情拒绝。段誉精明强干讲义气幽默乐观却爱耍些小聪明，但事业上却不如意，大学毕业后几年下来做了许多生意，均不顺利，后来好不容易拿到一家

　　Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

如果这些墙壁可以唱歌，这是著名的伦敦录音室90周年纪念。

环球音乐集团最近成立的制作公司水星工作室宣布了一部关于艾比路工作室的纪录片。If These Walls Could Sing将在今年11月Abbey Road成立90周年之际，探索这家传奇录音室的历史。这部电影由约翰·巴特塞克制作，保罗和琳达的女儿、电影制作人兼摄影师玛丽·麦卡特尼执导。

玛丽·麦卡特尼在一份声明中说:“我小时候最早的一些记忆来自于在艾比路度过的时光。“我一直想讲述这个历史悠久的地方的故事，我不能与约翰和水星工作室更好的团队合作，让这个创造性的雄心成为现实。”