连环兔子杀手

　　The story of Dian Fossey, a scientist who fought to protect the vanishing African mountain gorillas, which was found brutally killed in 1985.

2023年，期待已久的电影《东京复仇队》续集将上映。以“血之万圣节篇”为题材的两部作品，前篇《东京复仇队2血之万圣节篇-命运-》于黄金周上映，后篇《东京复仇队2血之万圣节篇》-决战-》将在夏天披露。

　　Massive machines require engineering extremes.
　　The massive man-made satellite, commonly known as the International Space Station, hurtling around the Earth at 27,600 km an hour, has been a temporary home for humans for the last 20 years. The biggest land vehicle on earth, a bucket excavator titled Bagger 293, that can move 240,000 cubic meters of dirt each day. Innovation has always meant building bigger, faster, taller, longer and stronger than anything that came before. We’ve seen them in dramatic visual fashion. But how do these actually work? What sets each machine apart. What big ideas drove its evolution and what limitations did this machine overcome? What forces was it built to withstand and where is the breaking point? Using CGI and expert insights, we ‘strip down’ the design of some of the world’s unique colossal machines and reveal mechanical secrets that not only made them work, but also changed the world in a big way!
　　Each episode explores four incredible machines, linked thematically. From sea and space faring designs, to mega airborne, mining and industrial machines, we’ll break down what they can do as well as key inner mechanics and materials that make it all possible. Dynamic archival footage featuring; slow motion, aerials, and time-lapses get us past the ‘caution’ tape and up close and personal with these compound monsters. CGI provides breakouts and blueprints and a look at hidden mechanisms. Adding expertise of structural, mechanical, chemical and forensic engineers to help reveal what’s at stake when these colossal constructions are put work, and how all the pieces come together to make a big impact.
　　EPISODES:
　　S1 E1 Sea Monsters
　　S1 E2 Astronomical Engineering
　　S1 E3 There Be Dragons
　　S1 E4 Sub-Zero Supermachines
　　S1 E5 Earth Biters
　　S1 E6 Mammoth Manufacturing
　　

　　在全世界掀起热潮后，藤井风首次在露天体育场表演，以纪念第二张专辑的发行。

　　早在远古时期，人类和龙和谐地生活在一起，然而野心勃勃的人类选择了海洋和大地，栖身东方国度；渴望自由的龙则选择风和火，隐藏在西方世界，两者从此不再有交集。直到某天，两条龙出现在人类的世界，并且相互厮杀，这一事件给人类带来难以估量的影响。上千头牲畜死亡，无数农作物枯死，干旱、饥荒、瘟疫蔓延，世界逐渐失衡，人类社会崩溃在即。大法师格德四处寻找灾难的根源，在这一过程中他遇见了惧怕影子的17岁少年——英拉德王子亚刃。这注定以一段不平凡的旅程……
　　本片根据美国女性奇幻文学作家娥苏拉•勒瑰恩（UrsulaK.LeGuin）的“地海系列”原著改编，有宫崎骏之子宫崎吾郎主持制作。

　　在《蒙特娄的耶稣》（Jesus of Montreal, 1989）中，丹尼·阿岗（Denys Arcand）借着拟讽耶稣受难的故事批判大众传播阻断语言沟通的罪行。在这部电影中，一个年轻而无名的演员克伦应教堂执事之邀，和另外四个人组成了临时剧团，要以现代 化的方式演出这个教堂每年夏天上演的《受难剧》。原本的剧本十分简单，只有几行以宣叙的方式朗诵的经文：「耶稣被宣判死刑，正直的人会死亡，为了我们的罪…我们的杀、窃盗、奸淫，所有的罪都加在祂身上，沉重的木块，沉重的十字架。」这些都是 忠实地取自于圣经的经文。但是，克伦根据有关耶稣的各种古代文本的考据，以及各地有关耶稣的民间传说，改写这出受难剧，例如耶稣是一名士兵潘提拉的私生子，后来因为辗转传，才成为「木匠的儿子」；耶稣的画像在拜占庭时代以前，并没有胡子，后来加上的胡，系为了增加「力量」的缘故；耶稣在埃及时是个魔术师，会变各种戏法等等。扮演耶稣色的就是剧团导演克伦，他在片中的处境，以及他最后因群众暴乱而意外死在十字架上，暗示他与耶稣的相似性。然而，他所面对的困境－－诱惑、敌意 、背叛、遗弃－－不是撒但、罗马士兵、犹太群众或神，而是大众传播的垄断势力、 不懂艺术的观众、以及提供金钱却不尊重艺术的筹办单位。