死亡笔记3：L改变世界日语

简介：黑帮小喽罗备后登（妻夫木聪 饰）与老大天盐幸之助（西田敏行 饰）的女人高千穗玛丽（深津惠里 饰）有染，惹来杀身之祸。为保性命，备后不得不接受寻找传奇杀手富坚的任务。走投无路之时，他突发妙策，假扮成一名正在筹拍黑帮电影的导演，邀请多年来辛苦打拼却功不成名不就的小演员村田大树（佐藤浩市 饰）出演杀手富坚。　　不知就里的村田和有些秀逗的经纪人长谷川（小日向文世 饰）随备后来至黑帮云集的港口加护，开始了自己紧张而刺激的电影拍摄之旅……

简介：沙拉德·内拉尔卡毕生致力于成为一名印度古典音乐歌手，并努力遵循前辈们、大师和父亲的传统理念和教导。但随着时间的流逝，沙拉德开始怀疑他所追求的卓越是否真的现实。

简介：马克和本在十几岁时因同为癌症患者而相识后成为了朋友。20年后，马克成为了一个成功又风流的医生，而本却变得神经质又孤僻，他远离人群，沉浸在自己偏执的行为和古怪的习惯之中。一则戏剧性的新闻颠覆了他们的生活，挑战着两人之间的友谊。为了使本能够走出自己的世界与人交往，马克赌上了他和本所拥有的一切，两人一同卷进了一场将会改变他们生活的冒险中。

简介：Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series. ~ Mark Deming, All Movie Guide　　The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport  both in their professional and daily lives  between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.　　The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial. -Steve Grayson　　my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty. - Jonathan Rosenbaum

简介：良太开船去找男孩失踪的哥哥，遇到暴风雨漂流岛一座岛上，在那岛上发现了龙虾怪兽伊比拉，还有在岛上进行一项不为人知计划的神秘组织红竹，正巧碰到一位女原住民，通过她的帮助下四人潜入红竹的基地，竟发现哥斯拉在岛上的洞穴中休眠…….

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　　正婉（李泰兰 饰）和熙秀（李美妍 饰）是相识多年的好友，然而，两人的性格和生活境遇却截然相反。正婉至今未婚，因为她享受着一段又一段恋情带给她的新鲜感和刺激感，她热心的追求着自己的事业，将此当做人生中最终要的事，在事业面前，婚姻、家庭、孩子都可以靠后站。
　　熙秀则恰恰相反，她很早就结了婚，放弃了工作一心扑在家庭中，宽裕的经济让她可以尽情的追求高质量的生活，熙秀的身边，一切都是那么的精致和服帖。一个是大大咧咧不修边幅的工作狂，一个是吃饭穿衣极其讲究的家庭主妇，两个女人走到一起，会碰撞出怎样耀眼的智慧火花呢？

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　　讲述导演肯·洛奇的纪录片——英国独立电影与电视导演编剧。他的电影作品屡次获得国际电影节多个奖项，包括戛纳电影节金棕榈奖及威尼斯电影节的终身成就奖，毕业于牛津大学圣彼得学院。

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　　我們的宗教就是你的宗教！不信我們的宗教就訓你！一群年輕女性，信奉容貌就該乾淨，舉止就該端莊婉約，交友就該純潔自愛。她們深信耶穌和傳統教條，殷切等待某日走進家庭婚姻；夜幕降臨，她們卻在城市裡襲擊她們眼中行為不檢點的單身女子，處以私刑一陣毒打，要求在鏡頭前懺悔，甚至傳網公審。
　　女子之一的瑪麗雅，在某次夜晚行動中傷到無暇的臉龐，留下傷疤，心中堅若磐石的信仰也逐漸崩解；得不到的永遠在騷動，她開始質疑自己的信仰，想起傳言中她們教訓過的一位女子，近乎毀容的臉龐。瑪麗雅精神上逐漸和那樣宛若梅杜莎的面容疊合⋯⋯面對社會沈重的期待、宗教窒息式的束縛，終於大聲吼叫出來！

简介：张嘉乐（刘嘉玲）是一个美丽、能干的都市现代女性，但她追求的仍是男性的爱情。张嘉乐幻想着男友Edward（曾江饰）会和他的妻子离婚而和她结合，但是Edward只顾拖延。高级公寓内住进了雍容华贵的盛文月（夏文汐饰），她优雅的品格征服了张嘉乐。文月和嘉乐成为好友。在晚宴上，嘉乐认识了Edgar（吴启华饰）。嘉乐放弃了Edward，但是Edgar的旧女友却出现了…

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　　黑道高手沈盾夫妇盗得武林大侠高允的翠凤剑，带着女儿沈冰红逃往深山。不久，高允与结拜兄弟葛鸿、童洪、西门冲追至深山，因沈盾不肯交出宝剑，便将夫妇俩杀死，此刻沈冰红抱着宝剑藏在山洞中，目睹父母被杀。待高允等人离去，她的双脚已受冻致残，被两位武林异人救起。20年后，沈冰红练得非凡武艺，矢志为父母报仇。一日她盗得葛鸿的金丝爪，却受到4名大汉的围攻，幸得高允的次子高天英搭救脱险。在高允寿诞之时，她用翠凤剑杀死葛鸿和西门冲。高允见状怜其身世和残废之驱，愿意为她治好脚疾，她刺伤高允逃离。大英兄弟为了替沈冰红疗疾，愿意带她到冰田热泉去，并愿为她到火山去取离火珠，此事引起童洪父女的不满。当沈冰红和高天威历尽艰辛到达冰田疗疾时，童洪也赶来，天威迎战童洪；沈冰红把救命的离火珠交给天威，自己冻死在冰田里。

简介：In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment

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