我亲爱的甜橙树

简介：苏妮塔（吉滕德拉 Jeetendra）是印度孟买一家大工厂主莫汉达斯的独生女儿，莫汉达斯死后，她听从他的遗愿与其心术不正的养子拉詹结婚，并答应拉詹会与他在坎达拉的一所小别墅欢度新婚之夜。　　驱车到达别墅时，苏妮塔遇到夜总会舞女莫妮卡，得知拉詹正是杀害父亲的凶手。凭借机智逃离别墅后，苏尼塔结识一个来自吉普赛的大篷车队，她生命中最重要的人莫汉（阿莎•帕雷克 Asha Parekh）第一次走进她的视线，然而两人的爱情之路，并非一帆风顺，如阴魂般的拉詹，是其中最大障碍。

简介：

　　这是Qatsi记录片三部曲的最后一部。Qatsi是美国印第安土著Hopi语，意思是生活。
　　本片由于受资金困扰，2002年才得以发行，制作时间长达十年，但却没有象前面两部作品Powaqqatsi (1988)和Koyaanisqatsi (1983) 那样广受好评。
　　音乐仍然由Philip Glass操刀，马友友则在此片中担任大提琴独奏。
　　著名影评人ROGER EBERT说：
　　“I have problems with "Naqoyqatsi" as a film, but as a music video it''s rather remarkable."
　　（“Naqoyqatsi作为一部影片有不少问题，作为MTV倒相当出色。"）
　　1983年，受IRS(Institute of Regional Study)委托，导演雷吉奥拍出了一部非叙事性的电视片，在这基础上，Qatsi系列第一部惊世之作《失衡生活》(Koyaanisqatsi)应运而生。在得到了包括卢卡斯、科波拉等人的大力支持与推广之后，《失衡生活》在当时形成了轰动性的效果。5年以后，Qatsi系列第二部《变形生活》(Powaqqatsi)诞生，尽管没有在第一部的基础上取得大的突破，但也不失为水准之作。
　　《战争生活》的诞生经历了许多坎坷。尽管《失衡的生活》与《变形的生活》都取得了相当好的评价，但在拍摄期间，导演仍然面临严重的资金问题。在这种情况下，尽管派拉蒙公司已经为前两部电影发行了DVD，但是雷吉奥仍然坚持收回版权，让想要购买DVD的影迷单独与他联系，单价150美金，作为对第三部影片拍摄费用的支持。最后在米拉迈克斯公司的支持下，由著名导演斯蒂芬·索德伯格（《性、谎言、录像带》，《毒品网络》，《永不妥协》）出任执行制片，历经10余年，终于完成了这部作品。
　　电影里充满着那些似乎无意剪接到一起的镜头，一会是冲天的原子弹，一会是变色的散发出奇异目光的多利羊，以及飘忽来去的世界地图，股票市场，数字，和人的游行……然后接着来了警察，以及挥舞的棍棒，长长的有刀的枪，还有飞过的子弹的呼啸……镜头一转，我们又看到了拳击手的攻击和倒下，本•拉登和胡子，还有变形的电脑，不停的毫无意义的争吵。接着还有什么？流动着噪音的和没有声音的阅兵，徐徐而进的汽车，布什，轮盘赌，云霄飞车，快餐，速度，网络……最后留下的是死亡，爆炸，而那些优雅环境里的键盘和字母在飞舞，汽车来了，光线亮了，车灯射过来，有人在哭泣……

简介：

绝望的未来，世界恍如巨大的废墟，双眼所及之处尽是荒凉与灰暗。人类文明在末日的劫难中毁灭殆尽，在资源极度短缺的情况下，幸存者无所不用其极，甚至出现人吃人的惨烈情况，整个世界呈现地狱般的光景。一位父亲和他的儿子进行着漫无止境的旅程。他们不断向南，寻找着更为温暖的避难场所，破旧的超市小推车负载着父子二

简介：

　　设计师魅可（安以轩 饰）不顾合伙人反对，向媒体坦诚自己的孤儿身份，希望以诚示人之外，也一直没有放弃寻找生身父母的愿望。魅可在孤儿院帮助下找到被拆迁的老宅，因此结识在工地打工的忠哥（汪东城 饰），在忠哥引领下，魅可拜访守候着可能是自己家遗物的哑口婆婆，却未得到自己出身的线索，然而怪事很快接连而至：她的父母很可能来自盗墓家族，工队队长可能不怀好意，而那位婆婆又似乎早已死去……谜底渐渐揭开，原来忠哥亦是一名出身盗墓世家的孤儿，他为了寻找自己父母的线索，试图在魅可家的遗物中找到一本《盗墓秘术》，为了达成目的，他不惜运用父母留下的工具和迷药来制造绑架事件，他坚信自己并非恶人，但行动却渐渐失控……

简介：一个陷入中年悲剧的“江湖混混”冒充“侠义之士”去帮一个同样身陷困境的“问题少年”追讨欠款，再将追回的钱骗走。 出乎意料的是，“捆绑抗敌”的关系让两名弱者间逐渐产生了信任与友情，“江湖混混”开始陷入自我矛盾，他本想放那个孩子一马，但不知道该如何与同伙交代，危机即将降临……

简介：女神诺兰在生日当晚目睹了班上另类学霸发生恐怖变异，并惨遭攻击，由于没有人相信她的话，变异病毒很快在校园内飞速扩散甚至威胁到整座城市，暗恋她的姚飞更是遭到诺兰的怀疑。究竟谁才是威胁校园安全的变种人母体？姚飞又能否在千钧一发之际拯救整座城市的安全？

简介：

　　Massive machines require engineering extremes.
　　The massive man-made satellite, commonly known as the International Space Station, hurtling around the Earth at 27,600 km an hour, has been a temporary home for humans for the last 20 years. The biggest land vehicle on earth, a bucket excavator titled Bagger 293, that can move 240,000 cubic meters of dirt each day. Innovation has always meant building bigger, faster, taller, longer and stronger than anything that came before. We’ve seen them in dramatic visual fashion. But how do these actually work? What sets each machine apart. What big ideas drove its evolution and what limitations did this machine overcome? What forces was it built to withstand and where is the breaking point? Using CGI and expert insights, we ‘strip down’ the design of some of the world’s unique colossal machines and reveal mechanical secrets that not only made them work, but also changed the world in a big way!
　　Each episode explores four incredible machines, linked thematically. From sea and space faring designs, to mega airborne, mining and industrial machines, we’ll break down what they can do as well as key inner mechanics and materials that make it all possible. Dynamic archival footage featuring; slow motion, aerials, and time-lapses get us past the ‘caution’ tape and up close and personal with these compound monsters. CGI provides breakouts and blueprints and a look at hidden mechanisms. Adding expertise of structural, mechanical, chemical and forensic engineers to help reveal what’s at stake when these colossal constructions are put work, and how all the pieces come together to make a big impact.
　　EPISODES:
　　S1 E1 Sea Monsters
　　S1 E2 Astronomical Engineering
　　S1 E3 There Be Dragons
　　S1 E4 Sub-Zero Supermachines
　　S1 E5 Earth Biters
　　S1 E6 Mammoth Manufacturing
　　

简介：良太开船去找男孩失踪的哥哥，遇到暴风雨漂流岛一座岛上，在那岛上发现了龙虾怪兽伊比拉，还有在岛上进行一项不为人知计划的神秘组织红竹，正巧碰到一位女原住民，通过她的帮助下四人潜入红竹的基地，竟发现哥斯拉在岛上的洞穴中休眠…….

简介：06年12月22日，好莱坞备受期待的电影新片《Guru》将在印度和美国同时上映。近日，《Guru》的片中音乐提前向外界发布，部分宝莱坞顶级明星齐聚孟买，出席了音乐发布会。发布会由印度超级巨星阿穆布·巴克强(Amitabh Bachchan)主持，巴克强的儿子阿比谢克在影片中扮演男主角。享有印度西施美誉的前世界小姐艾丝维亚瑞(Aishwarya Rai)饰演女主角，当天身穿白色纱丽参加了发布会。　　《Guru》一片的音乐由古扎尔创作，里赫曼(A.R.Rehman)谱曲。该片导演马尼·拉纳姆 (ManiRatnam)是印度南部名气最盛的导演，以拍摄当代现实主义主题的电影而著称，能够在商业和艺术之间很好地把握分寸，取得了事业上的很多成功。拉纳姆的电影，还以令人侧目的技巧、强烈的个性和充满深情的音乐见长。此前，拉纳姆和里赫曼已经合作过《洛加》(Roja)、《孟买》(Bombay)和《迪尔·瑟》(Dil Se)三部影片，为观众创造出余音绕梁的音乐篇章。拉纳姆介绍说，《Guru》讲述的是年轻村民古鲁肯特·迪赛获得事业成功的故事，生活简单的迪赛经过奋斗，最终成为一名工业界大亨。宣传《Guru》的电影片花介绍说，迪赛首先是个村民，后来被人认为是幻想家，最终获得了成功。

简介：Arrowhead is an interstellar Jekyll and Hyde, a survival story of a stranded mercenary who discovers the deadliest creature on the seemingly planet is himself.

简介：在这看似祥和的岛屿上，一位孤儿和学校里神秘的新老师越走越近，恐将遭到这座岛的黑暗秘密吞噬。

简介：Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.