写不出的情话

　　Massive machines require engineering extremes.
　　The massive man-made satellite, commonly known as the International Space Station, hurtling around the Earth at 27,600 km an hour, has been a temporary home for humans for the last 20 years. The biggest land vehicle on earth, a bucket excavator titled Bagger 293, that can move 240,000 cubic meters of dirt each day. Innovation has always meant building bigger, faster, taller, longer and stronger than anything that came before. We’ve seen them in dramatic visual fashion. But how do these actually work? What sets each machine apart. What big ideas drove its evolution and what limitations did this machine overcome? What forces was it built to withstand and where is the breaking point? Using CGI and expert insights, we ‘strip down’ the design of some of the world’s unique colossal machines and reveal mechanical secrets that not only made them work, but also changed the world in a big way!
　　Each episode explores four incredible machines, linked thematically. From sea and space faring designs, to mega airborne, mining and industrial machines, we’ll break down what they can do as well as key inner mechanics and materials that make it all possible. Dynamic archival footage featuring; slow motion, aerials, and time-lapses get us past the ‘caution’ tape and up close and personal with these compound monsters. CGI provides breakouts and blueprints and a look at hidden mechanisms. Adding expertise of structural, mechanical, chemical and forensic engineers to help reveal what’s at stake when these colossal constructions are put work, and how all the pieces come together to make a big impact.
　　EPISODES:
　　S1 E1 Sea Monsters
　　S1 E2 Astronomical Engineering
　　S1 E3 There Be Dragons
　　S1 E4 Sub-Zero Supermachines
　　S1 E5 Earth Biters
　　S1 E6 Mammoth Manufacturing
　　

　　大卫的爷爷在过81岁生日时许下了一个心愿，愿自己能重返18岁。一次，爷孙俩在车上嬉戏出了车祸，结果爷孙俩的年龄互换了，老人成了大卫，并到大学里重新体验了年轻人的生活。

　　“For two years starting in 2020, this work has been forming along the edges of disquiet and premonition, in fragments and intensities, through wandering and not-staying. It has tried to find language for and ways across the bizarre upheavals of social and political values with the rise of fascism in India and a global pandemic. It has insisted on being amongst the things that keep from falling apart. Filmed in Delhi, these incomplete fictions are of the people, places, and protests that keep the language of hatred at bay and absorb the city’s grief and euphoria. In them are the continuous echoes of a violent and tenuous present.
　　The false closures and tenuous associations in this video/essay compose a timeline of the city at an angle through the time of this work. There is a shadowy sense of a protagonist who un-dreams it all; a stranger, who it turns out, is no stranger at all.” Priya Sen

　　年轻的越南女孩Linh在单亲妈妈离开德国回越南的时候不得不承担起照顾自己照顾妹妹的责任。在此期间期间必须不能让人知道他们是独自生活的，特别是不能让警察和社区服务人员知道。但是同时，他们的一位让人讨厌且顽固的邻居Pauline知道了他们的秘密，并威胁姐妹俩要把秘密公布出去……这部电影就讲述了这几个孩子之间不同寻常的友谊的力量。