猛龙

　　影片主要讲述深圳的两家手机运营商因为世仇而引出的一段生死恩怨。這其中又穿插错综复杂的爱情与友情，还有国际投资机构的介入等。在生死一线之际，中国的民族企业到底该何去何从？影片不仅营造了引人入胜的情节，还揭露了民族企业发展程中存在的许多疮疤，令人深思。

　　Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

　　我們的宗教就是你的宗教！不信我們的宗教就訓你！一群年輕女性，信奉容貌就該乾淨，舉止就該端莊婉約，交友就該純潔自愛。她們深信耶穌和傳統教條，殷切等待某日走進家庭婚姻；夜幕降臨，她們卻在城市裡襲擊她們眼中行為不檢點的單身女子，處以私刑一陣毒打，要求在鏡頭前懺悔，甚至傳網公審。
　　女子之一的瑪麗雅，在某次夜晚行動中傷到無暇的臉龐，留下傷疤，心中堅若磐石的信仰也逐漸崩解；得不到的永遠在騷動，她開始質疑自己的信仰，想起傳言中她們教訓過的一位女子，近乎毀容的臉龐。瑪麗雅精神上逐漸和那樣宛若梅杜莎的面容疊合⋯⋯面對社會沈重的期待、宗教窒息式的束縛，終於大聲吼叫出來！

　　The acclaimed series shifts to Independence Community College in Kansas, where a tough-as-nails coach attempts to rebuild a struggling program.