第一次

简介：After the abduction and assumed death of Mackenzie Allen Phillip's youngest daughter, Missy, Mack receives a letter and has the suspicion it's from God asking him to return to The Shack where Missy may have been murdered. After contemplating it, he leaves his home to go to The Shack for the first time since Missy's accident and encounters what will change his life forever.

简介：本片讲述了大学生白世贵毕业后回到家乡，错失了城里的工作后，克服重重阻碍，为村民们解决了积压的蘑菇、粮食种子的销路问题，获得了众人的信任，得到了父亲和女友的支持，自己也最终下定决心留在家乡，做一名村官儿的故事。

简介：

　　影片主要讲述深圳的两家手机运营商因为世仇而引出的一段生死恩怨。這其中又穿插错综复杂的爱情与友情，还有国际投资机构的介入等。在生死一线之际，中国的民族企业到底该何去何从？影片不仅营造了引人入胜的情节，还揭露了民族企业发展程中存在的许多疮疤，令人深思。

简介：

　　某夜，女兵紧急集合，奉命缉捕挟械逃亡的班兵，经同心协力围捕而最终完成任务。原来这是一项测验。后来女兵派至海边接受战技训练，海防男班兵奉命支援，结果又惹出许多趣事，而且男兵们被整得叫苦连天。经磨练后，女兵们个个身手不凡，成为神勇的女娇娃，令人刮目相看。此时，不法集团首领强哥自狱中脱逃，并引发江湖恩怨之仇杀，强哥为了逃避缉捕，竟挟持阿秀当人质，率手下逃往山区藏匿。为了除暴安良男女兵立即采取行动。女娇娃们智勇双全，发挥高度的野战技巧，以及冒险的精神，终于制服了强哥这伙歹徒，救出人质，英勇地凯旋归来

简介：A writer who discovers an unquiet spirit inhabits a remote farmhouse.

简介：

　　七年前，日本驻英领事馆发生了一起致命性的中毒事件，而唯一的幸存者也被国际犯罪组织劫走。出于政治原因，日本政府决定将此事隐瞒了下来。 七年后，前国际犯罪情报事务局理事马克·刘来到日本追查犯罪组织头目渡鸦的踪迹。东京警视厅派出特别干员杉下右京及冠城亘前往协助。然而，警方的第一个线人很快就被一个神秘的黑衣男子杀害。不久后犯罪组织入侵了外交部的官方网，并放出一段录像，在录像中的正是七年前失踪的幸存者，鹭泽瑛里佳。组织向日本政府索要9亿日元，并扬言如果不服从要求，数百万人将会见证日本的毁灭……

简介：

　　影版《闪电侠》女主科雷西·克莱门斯将主演独立剧情片《Hearts Beat Loud》，布莱特·哈利(《我们梦中见》)执导，并和Marc Basch共同创作剧本。影片讲述一个居住在布鲁克林开唱片店的男人，在女儿即将离家去上大学的最后一个暑期，面临着同时失去唱片店和女儿的两难局面。今秋开拍。

简介：

简介：1945年，在二次世界大战的战火肆虐中，安娜和罗勃在德勒斯登相遇。一个是德国医院院长的掌上明珠，在家人以及未婚夫的呵护下成长，有着救助身旁所有人的一颗善良的心。另一个是英国皇家空军的轰炸机机师，在一次任务失败中坠毁德勒斯登。安娜救了他的性命，安娜善良温暖的心也打动了他。就这样慢慢地，两颗心越来越靠近…　　在此时，发现了罗勃真实身分的安娜，是要选择罗勃，还是要接受未婚夫的求婚？

简介：

　　《亲爱的,不要跨过那条江》讲述了89岁老奶奶姜溪烈（音）和比她大9岁的老爷爷赵炳万（音）夫妇的故事。影片以江原道橫城山村的自然景色为背景，讲述像恋人一样度过76年的“肉麻情侣”老夫妇甜蜜生活的场景和突然的离别。

简介：

　　《悬案密码》系列的第三部：6年前，一只在海上漂流的瓶子在苏格兰被打捞上岸，然而里面的求救信却被视为不祥之物，直到一位调查人员无意中看出了信件开头用丹麦文写着：救命！随着卡尔和两名下属的破解，他们发现署名“保罗”的作者不仅确有其人，而且在写下瓶中信后便下落不明......
　　为何少年的家人不曾追究他的行踪？难道他在多年前便已遭遇不测？正当调查陷入胶着，一起离奇车祸让原本天衣无缝的邪恶罪行露出破绽，串起所有线索的卡尔这才明白，自己面对的并不单是一桩陈年旧案，而是过去十几年来，许多破碎家庭的绝望呼救…

简介：Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.