本片為招振強與李泰亨聯合導演。故事描述，二次世界大戰期間，紅歌女阿花（鄺美寶）逃亡時，遭鄉村大戶陶老爺姦殺，更奪去珠寶錢財；自此陶宅即經常鬧鬼，未幾陶老爺亦神秘死亡，其家人則遷往別處，陶宅從此荒廢。事隔多年，陶老爺之後人陶明（顧冠忠）嗜賭如命，更因阿花鬼魂作怪而欠下鉅款，明妻暗中將故有陶宅售予楊教授夫婦（劉永、錢慧儀），楊入住後即遇上怪事連篇，楊不得不相信全無科學根據的鬼神之說……
城市的一隅。一家银行外的提款机前，一中年胖男人正熟练地操作着自动提款机。在他不远处的路边停着一辆破旧的红色夏利。车内坐着两个游走在城市边缘总想靠歪门邪道捞取不义之财的无业人员熊棋和潘安。他们专注地盯着提款机前的中年男人，伺机下手。城市的另一处，在一幢高级写字楼里，一家大公司的总经理室，中年经理坐在大班桌前，在他对面，坐着衣冠楚楚的某新成立的广告公司的经理段誉。展正在口若悬河宣传自己公司的业务，希望能与该公司合作。却被对方无情拒绝。段誉精明强干讲义气幽默乐观却爱耍些小聪明，但事业上却不如意，大学毕业后几年下来做了许多生意，均不顺利，后来好不容易拿到一家
At first glance, it seems like an ordinary sports movie based on Kendo. Jaewoo, who joins the national team selection process, is treated as a soon-to-be eliminated player from the first day. However, IRON MASK does not simply follow the typical sports movie formula. It sets the tension high early on, by showcasing an intense confrontation between Jaewoo and the unbeatable top-ranked player, Taesu. From there, it gradually reveals why Jaewoo is there, peeling away the layers of his story like an onion. Thus, the film expands beyond being just a sports movie and veers into sharp psychological drama. The sharpness of Jaewoo’s emotions is vividly reflected in his Kendo, while also representing the challenges he must unravel in his life. The ending is quite thought-provoking. The captivating cinematography exudes the excitement of Kendo matches in an electrifying way, making IRON MASK worthy of note. (Rhana JANG)
一位30多岁的纽约犹太妇女在卧室里练习虐恋的艺术，并在工作和家庭中尝试驾驭支配与臣服的动态关系。
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
Last days of 1941 summer, the era of Obligation, during the famine atmosphere of the Second World War. In the middle of all this poverty and turmoil, there are two poets in their early twenties: Muzaffer Tayyip Uslu and Rustu Onur. They have been carrying tuberculosis germs in their lungs and love of poetry in their hearts for years. Two poets who have the constant habit of making bets on things that they do not own, make a bet on a beautiful girl. They will both write a poem for her and whichever Suzan likes, the other will fade from the scene..
