A demoted detective is given the opportunity to go undercover and take down the mob's most ruthless killer, but his life and only chance at redemption spiral out of control as he loses himself in the role.

Informedthathissonhasrecoveredfromschizophrenia,afathertravelstothestatementalhospitaltotakehimhome,onlytodiscoverhe’snowheretobefound.

这是一部关于社交恐惧和情感障碍的故事。生活在奥立冈州的海岸小镇，弗兰的办公室日常了无生趣；偶尔侧听同事之间的对话，偶尔作作白日梦，偶尔思索死亡的意义，她自我孤立的状态，仿佛幽灵般地存在于人世。直到新同事罗伯特的出现，他的友善与爱意，打乱了她孤立平静的思绪。每次交谈，每个火花都搅乱她的每一根神经。然而，唯一阻碍他们之间的，是弗兰自己。本片以诗意且静謚的手法勾勒出爱、自我认同和观看世界的独特样貌。由知名英国女演员黛西·雷德利主演，内敛低调诠释呈现出人的内心与孤寂。

1955年，五名年轻的墨西哥裔美国球童出于对这项运动的热爱，决心学习如何打高尔夫球，所以他们在南德克萨斯州的沙漠中部建立了自己的高尔夫球场。

　　Follows Riley, who has recently been released from rehab after struggling with her addictions to food and body image. She will meet Ethan and finds herself navigating the line between love and a new addiction.

NickJonasstarsasRenn,anemotionallydistantwriterwhoreturnstohishometownofClevelandforhisbelovedmother’sfuneral,afterhavingspentyearssuccessfullyavoidinginteractionswithhishigh-strungsister(BrittanySnow),bumblingbutwell-meaningfather(MattWalsh),anduntrustworthystep-father(DavidArquette).Whileintown,heforgesanewrelationshipwithacharming,energeticstranger(AlexandraShipp)whopusheshimtorealizethathecan’tavoidconflictforever—withhisfamilyorwithinhimself.源自：https://tribecafilm.com/films/good-half-2023

A11-year-oldLacy,hermotherJanet,threepeoplewhocomeintotheirlivesoveronesummerin1991.

Basedonthebookbythesamename,thefilmtellstheinspiringstoryofa12-year-oldboy,who,separatedfromhisfamilybyafastmovingstorm,mustfighttostayaliveduringhisnine-dayadventurelostinthebackwoodsofMaine.

　　Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie.
　　They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks.
　　Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.