张扬敢拼的磊乐（郭富城饰）与内敛善谋的南江（梁朝伟饰），在因缘际会下携手，破除旧规，立威造势，在磊乐太太蔡真（杜鹃饰）的斡旋下，成为黑白两道人人皆知的“双雄探长”，二人自此叱咤香港三十年。然而在表面的平静与制衡之下，火并、谋杀、背叛、夺权……暗流涌动，一触即发！

VietnamrespondstothewittyandgrandioseIndonesianthriller“TheRaid”(2011)astoundingly,withalethalextravaganzaofmartialarts,full-capacitytensionandadrenalineontrucks,boatsandbikes.Thisspectacularlychoreographedtotalactiondynamicthrillerplungesintothedarkestcornersofviciousrevengeingorgeouslocations.LuongĐìnhDũngmakesa180-degreeturnfromhistwopreviousfilms“FatherandSon”and“DrowsyCity”,todeliverajaw-droppinglybreath-takingspectacleofmassivefistfights,vigorouschases,swordduels,sharpwounds,andtwistytraps.Non-chronologicalsentimentalflashbacksoffershocking,grippingandplausiblemotivationsforfranticanger,savagedfury,extremetorture,andanunchaineddesiretokill.HumblyhonesttruckdriverHunglearnsthatthedepressionandparanoiaofhisteenagedaughterAnwascausedbyrecentkidnappingandmolestation.Enraged,thelovingfatherridestotakerevengeoncreepypsychopaedophilemillionairewhoisprotectedbyhisspoiltandmercilessmusicianson,wretchedstubbornhenchmenandfilthysluttyfemalebikers.Thesebastardsdeservegrittyeliminationwithout50/50or#metoopenance,sentiments,guiltorpity.Thereissomethingamazingheretowitnessonthebigscreen,andexpectationsforanimminentsequelarehigh.VietnamnominatedthefilmfortheOscarfortheBestInternationalFilm.

　　一群离别原生家庭的小孩子，经莫姑娘（谈善言 饰）安排下，遇上天美姨姨（郑秀文 饰）和彬叔叔（陆骏光 饰）这个短暂的幸福中途站，天美姨姨亦因此经历十三年来从聚合到分离；遇上每一个孩子，他们却又再要分散，感受到喜悦也要经历分离的痛。

Amegalithrisesfromasandydesert–orrather,ascalemodelofsuchalandscape.“Iamthearchive”,saysayoungfemalevoicewhileominousstringmusicnailsviewerstotheirseats.ThisopeningsetsthestageforthenarrativeandfigurativelanguageofRithyPanh’sdensemnemonicessaywhichusesstunningdioramastotellatwenty-firstcenturydystopianstory.Afteracenturyofgenocidalideologiesanddestructivespeciesism,animalshaveenslavedhumansandtakenovertheworld.Inawaveofhope,thestatuesofthepasthavebeenremovedbutnewonesarebeingerectedtosuppressthewillofthepeople.Thisisnowaplanetofapes,boarsandlions,andazoologicalrevolutionisreversingandrecreatingtheatrocitiesofthe20thcentury.Asanimalfigureswatchthefilmarchivesofourworld,itfeelsasifLumièrehasbeentransportedintoafilmbyMélièsorWillisH.O’Brien.Weareallwellawarethathistoryrepeatsitselffirstastragedy,thenasafarce.Thetimehasnowcomeforthisfarce,inwhich“politicallanguageinhabitsourdreamsandconsumesus”,toallowthepossibilityofa“gracefulandtenderinsubordination”toemerge.